• For a map, we say we used to run fast, / so fast we had to leave it there.
    -John Gallaher, "Everything You Know That Isn't True" in Number 77
  • Nights on the farm / eggplants unbutton and sing
    -Molly Bashaw, "Every Time I Have Never Been Here Before" in Number 77
  • Look inward, already the curved / keepsake is growing.
    -Ray Amorosi, "About Angels" in Number 77
  • the HMOs even now closing in, / the border ever receding.
    -Kevin Ducey, "W. Benjamin opens for the Plasmatics" in Number 77
  • I considered myself lucky to notice / on my walk a mouse ducking like a culprit . . .
    -Billy Collins, "Thieves" in Number 77
  • Your memory of the dead man is a child's balloon, and where is that off to?
    -Marvin Bell, "The Book of the Dead Man (Decomposition)" in Number 77
  • for some time now it's been / just you / and these goddamn birds.
    -Charlie Smith, "Just Now" in Number 77
  • Finishing all of your sentences / as if they were questions, he accuses you / of changing the subject.
    -Patrick Moran, "Dopplegangster" in Number 77
  • Johnny flashes diamonds and gold / Frankie knows only what her mother said
    -Robert Bense, "River Town Longueurs" in Number 77
  • There are worse things / than music, you tell me, / reaching for the knife / I find I'm holding in my hand.
    -G. C. Waldrep, "The Dream of Egypt" in Number 77
  • No one needs to answer to eternity
    -Emmanuel Moses, translated by Marilyn Hacker, "from Preludes and Fugues ..."
  • As if I know what / I'm doing, he marries / me.
    -Lucy Anderton, "Not Something To Be Captured . . ." in Number 77
  • Singular we are / stunning. In horde / we are dense differing / dream.
    -Emily Rosko, "Timbered" in Number 77
  • The robberies started during the hottest time of the year ... The first victims were an Indian family, and all around the wealthier suburbs, other Indians looked up at their houses and wondered ...
    -Akshay Ahuja, "The Gates" in Number 77
  • Hello to generations that etcetera as we watch.
    -Jennifer Militello, "A Dictionary at the Turn of the Millennium" in Number 77
  • Max Donaldson was a waxy, whiskey-logged financier who knew his son not to be stupid, and knew himself to be less stupid than his son. He blamed the mother.
    -Tess Wheelwright, " Max Donaldson and His Son" in Number 77
  • Little evening, I walk across the stone bridge, helloing the river, without thinking
    -Melissa Kwasny, "Clairvoyance (Little Evening)" in Number 77
  • The dead man is of the future, but he will not breathe a word of it.
    -Marvin Bell, "The Book of the Dead Man (Kiss Kiss)" in Number 77
  • Now you hunger / no longer, for the green is all fingers, and the fence / of the body sleeps
    -Mark Irwin, "About" in Number 77
  • I live in the laundry room, this half of it. Scott, Paul's dad, he rigged up a wall, a pre-fab from Home Depot, and Paul and I leaned it in place while he tightened the screws. I like to be helpful.
    -Chris Gavaler, "The Hole It Would Leave" in Number 77
  • I know an echo that wants to change its mind.
    -Dara Wier, "Are You Happy?" in Number 77
  • So much is happening in secret, but right before our eyes.
    -David Keplinger, "Near the Amphitheater in Gubbio" in Number 77
  • He was also the one who dispensed sugar cubes / of Salk vaccine when the whole world / lined up single-file up and down the block
    -Leonard Kress, "Law of Resemblances" in Number 77
  • If there were not a nest of pillows then the / Persian flaw would be a sweeter scald.
    -Theodore Worozbyt, "Cavalcade of Stars" in Number 77
  • Greta called acting normal glossing over the truth. She called it forgetting. I called it facing reality or moving forward, Greta said I was living a lie, and so on . . .
    -K. F. Enggass, "I Hope To God You Smoke" in Number 77
  • We grew from large children into adults. Now halfway back to / children again. Boxes full of the litter of our lives are scattered about. Like / on that day we first opened the door.
    -David Shumate, "Moving Away from Home" in Number 77
  • Between radius and tumored ulna, / crepidis softening bone to sponge . . .
    -Laurie Clements Lambeth, "Not to Praise" in Number 77
  • One dawn / when I jogged along the towpath by her boat, / a nightgown waved from splintered ice.
    -Henry Hart, "Winter of Discontent, England 1978-79" in Number 77
  • This is the woman who listened to your report of every clue Nancy Drew encountered, every turn in the path of detection. You approached each retelling as a test. Why?
    -Claire Guyton, "The 7 Stages of a Parental Visit" in Number 77
  • "Thanks for calling, sweetie," says Russell. "Is it very hot there?" he begins to ask, but she has already hung up the phone.
    -Christine Byl, "Tell Me Something about Arizona" in Number 77
  • Myra bent down to look into a shell. The ants each had bits of meat on their backs. They dropped off the side of the porch into the grass.
    -Jane Delury, "Ants" in Number 77
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Issue Number: 74

Fiction
Randy DeVita     Guarding Mary     Tri-State Security seeks self-help: “04:00: Mobile patrols suspended.”

Marjorie Celona     This Is When I Love You the Most     Bobbie sneaks into Mr. Radcliffe’s office.

Essay
Kat Meads     What Lies in Closets      “The night the Symbionese Liberation Army kidnapped the heiress...” The Patty Hearst tell-all files revisited.

Poetry
“Edges pretend that / one thing ends”   Gail Wronsky   Kevin Ducey   Daneen Wardrop   Kevin Clark   Emmanuel Moses translated by Marilyn Hacker   Albert Goldbarth   Marianne Boruch   Fabio Morábito translated by Kathleen Snodgrass   Deborah Bogen   Adrian C. Louis   Christopher Howell   Leon Stokesbury   Peter Kline   All this and more.

Cover art by David Ellis.  Panel from Flow. 2007. Silver enamel and black gesso on tobacco-stained paper. Courtesy of the artist.

Table of Contents

Fiction

Randy DeVita
     Guarding Mary

Marjorie Celona
     This Is When I Love You the Most 

Becky Hagenston
     Midnight, Licorice, Shadow 

Miranda Beverly-Whittemore
     Pertussis

Steven Schwartz
     Blockage

Essay

Kat Meads
     What Lies in Closets

Poetry

Gail Wronsky
     When This Warm Scribe My Hand

Kevin Ducey
     relativity 
     Cathar Kinks

Daneen Wardrop
     Tracks, Spread 
     Hare, Saint  
     Rows, Own 

Kevin Clark
     Approaching Days

Seth Abramson
     Idiot House  
     The Home-field

Michele Glazer
     Trace   

Emmanuel Moses
     Monsieur Néant en alpiniste miraculé
          Mr. Nobody As The Last Mountaineer
     you will not know
          tu ne connaîtras pas
     Et je les tuai tous
          And I Killed Them All
               translated by Marilyn Hacker

Albert Goldbarth
     Party 2006

Lance Larsen
     Owner’s Manual
     To Jouissance

Hadara Bar-Nadav
     I Would Have Starved a Gnat
     The Angle of a Landscape

Marianne Boruch
     In the hospital parking lot
     The mosquito brings you blood, it

Michael Robins
     In This Quiet Shop of Song
     The Birds of Massachusetts Bay

Rosalynde Vas Dias
     Silent Defense

Nicolas Hundley
     The Blood You Let
     Fathering the Machine

Beth Marzoni
     After Viewing Cold, Dark Matter:
     An Exploded View (1991) by Cornelia Parker

Fabio Morábito
     Cuarteto de Pompeya
          Pompeii Quartet
               translated by Kathleen Snodgrass

Deborah Bogen
     What We Know about Ghost Images
     Using a Blue Willow Pattern, the Anesthesiologist Explains the Procedure

K. A. Hays
     Psalm against a Rapture
     Isaac in the Mosaic at San Vitale

Adrian C. Louis
     Respite

Jeff Walker
     Itchy Is As Scratchy Does

Alessandra Lynch
     “Who mothered you? Silence and grass.”
     “First, air and light suffuse us—daylily, oriole, dust—"

John M. Anderson
     Line Drawing: Thurber’s Brother Shoots Him in the Eye with an Arrow
     Church Vault

Christopher Howell
     Another Letter to the Soul
     Marsh

Leon Stokesbury
     Midway

Peter Kline
     Unfathomer
     Insomnia

David Petruzelli
     Lost Hopper 

Gail Wronsky
     Beneath the Ganges Where it is Dark
     Hatching in the Eucalyptus Tree
     Go On, Sure, Why Not

 
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